Summary
I set up lighting, moved equipment, set up cameras, adjusted shots and lighting to fit the scene, and did other things to affect visuals.
Camera Evidence
Shot Choice Justification
Our wide shots were to set the scene and to use blocking between the actors. Our single or double shots were to emphasize the importance of the dialogue and to have the audience focus on one character specifically. Lastly, our closer shots amplified visible emotion and increased tension.
Lighting Design
Consultation with Editor
Alternative Shots
Camera Work and Lighting Evaluation
The lighting was simple to set up. It was basic math, setting up the light so that they made the actor perfectly visible, but the light itself was not visible to the camera. I was able to make use of multiple lights provided to me. Additionally, the camera angles were complex, so I had to be sure I was precise as possible in setting it back up in between shooting dates.
Influences from Films
What I Learned and Problems I Solved
Being a Cinematographer is challenging, and there is little you can do after production to help your crew. The job is simple on paper: record scenes, make small adjustments, and overall listen to your director, but I had to micromanage so many things that would have seemed inconsequential to me before.